camera-ready hair & makeup for TV, Film, EDITORIALS & Ads
Natural, soft-glam, clean, skin-focused looks that read true under lights and hold through long days in Singapore’s humid weather.
Trusted by artists, BRANDS & productions
king kong media production
TAY KEWEI
xixi lim
JAYLEy WOO
rurusama
Cynthia Koh
BEN HUM
Yokez Yap
jaspers lai
SORA MA
MARK LEE
Commercial makeup artist Singapore:
Cheron creates clean, camera-ready beauty for TV, film, live productions & artiste events.
MAKE UP ARTIST FOR COMMERCIAL SHOOTS - BRANDS, ADVERTORIALS AND EDITORIALS
LASTING HAIR & MAKE UP for Production Realities
SKIN FIRST,
ON CAMERA
Breathable, polished finishes that look true under key, daylight or mixed lighting—never heavy.
MODERN & DETAIL LED
Current, editorial polish that supports the story without overpowering talent.
LONG WEAR CONSISTENCY
Techniques shaped for Singapore’s climate and full on-set schedules.
ON BRIEF,
ON TIME
Aligns to creative direction and call sheets with a calm, collaborative presence.
OTHER SELECT
credits & highlights
Appointed Make Up Artiste for Micro-drama production 《当月老遇上丘比特》with King Kong Media Production.
Appointed Make Up Artiste for Micro-drama production 《霸总爱上我的妈》with King Kong Media Production.
Make up for Rurusama for ICON Magazine Interview
more hair & make up portfolio for commercial editorial, ads & brand shoot
Frequently Asked Questions
-
As a commercial makeup artist in Singapore since 2012, Cheron supports TV, film, advertising and brand shoots.
Clean, camera-ready looks for interviews, talking heads and broadcast
Soft-glam polish for campaigns and product still
Editorial balance for magazine-style layouts and key visuals
Collaborative with producers, creatives and talent management
-
Cheron’s approach is long-wear and breathable, refined for on-set days in Singapore.
Skin-focused prep and thin, layered application
Setting methods tuned for heat, humidity and lighting
Scheduled checks/touch-ups per the call sheet
Consistent results from first shot to wrap
-
Cheron specialises in true-to-skin finishes that look clean under key, daylight or mixed sources.
Strategic colour-correction; minimal texture, not heavy
Polished dimension that reads on camera (without overpowering)
Tone and shine control balanced for close-ups
Looks tailored to brief, lighting and schedule
-
It depends on talent count, look complexity and timings—send an enquiry and Cheron will advise once the brief is set.
Some consideration factors include:
Natural refresh vs. full soft-glam/editorial changes take different time
Factor wardrobe/lighting changes and buffers
Add scheduled checks for continuity
Share your storyboard and we can plan your shoot together
-
Quotes are tailored to scope and schedule for commercial/advertising work.
Dates, call times, locations and set moves
Number of talent and required looks
References/mood, brand guidelines, sensitivities
Touch-ups/on-set support window
-
Cheron specialises and aims for clean beauty and soft-glam that support the story and the face in front of the lens.
Cohesive colour stories that fit wardrobe/art direction
Refined structure; elegant, not theatrical
Editorial polish with quietly striking details
Always considerate of talent preferences
-
As soon as your dates are set—
Share brief, call times and talent list early
Lock the look direction early to facilitate planning